Monocoastal was inspired by Fischer’s movements up and down the West Coast of America over the last two decades. Washes of tape hiss play homage to the Pacific Ocean, while multiple layers of details reveal themselves differently upon each listen. Tiny sounds originate from field recordings and are given the same attention as conventional instrumentation. Found instruments–such as a piano discovered in the corner of a salvage warehouse and a xylophone made of metal wrenches–create sounds captured through both analog and digital recording. Detail is removed rather than added, and harmonic tones are discovered in natural resonances. The compositions on Monocoastal are built upon a bed of low fidelity textures, an exercise in restraint and tension. Space between notes plays an important compositional role to create this balance and tape loops provide organic repetition that wavers subtly with warmth and imperfection. There is a fractured and naturally worn sense to Fischer’s compositions, each one an object itself summed from carefully selected instruments and tones used in their making.